On Christmas Eve, New York cop John McClane (Bruce Willis) is visiting his estranged wife Holly (Bonnie Bedelia) in Los Angeles, where she works. They are attending a party at Holly's high-rise office block when terrorists, led by the suave Hans Gruber (Alan Rickman) break in, taking everyone hostage. McClane manages to evade capture, however, and sets out to rescue his wife and the other prisoners. It is not long before he is running barefoot over shattered glass (ouch!) in a sweaty vest, muttering 'Yippy kay aye' as he dispatches the baddies with bullets and a certain earthy wit.

Concrete is the most used man-made material in the world and is the fundamental physical medium for most of the world's architecture and construction. The character of concrete is largely the product of the rigid moulds that have shaped it since its invention in antiquity. The advent of flexible moulds, however, marks a radical break from conventional practice - and conventional concrete architecture. The Fabric Formwork Book provides the first comprehensive handbook on the emerging technology of flexible moulds for reinforced concrete architecture. Written by the foremost expert in the field, this book takes a comprehensive and generous approach that includes technical, historical and theoretical aspects of the subject. The book: concentrates on simple flat-sheet formworks contains detailed technical descriptions of how to construct a wide range of formworks for various applications features case studies from around the world critiques the difficulties and advantages in each case it covers provides instruction and guidance on how to model and design fabric-formed structures includes the most comprehensive history of fabric formwork yet published features essays from guest expert authors, which explore the theoretical, historical, and poetic significance of flexibly formed architecture and structures discusses fabric formwork as an exemplary approach to sustainable construction through its simplicity and efficiency. Beautifully designed and illustrated with a superb range of images, diagrams and technical drawings, the book both informs and inspires. Speaking directly and plainly to professionals, students and academics, the language used is both clear and precise, and care is taken to avoid opaque technical or academic jargon. Technical terms, when used, are clearly described and a special glossary is included to make the book as widely accessible as possible.

Concrete is the most used man-made material in the world and is the fundamental physical medium for most of the world's architecture and construction. The character of concrete is largely the product of the rigid moulds that have shaped it since its invention in antiquity. The advent of flexible moulds, however, marks a radical break from conventional practice - and conventional concrete architecture. The Fabric Formwork Book provides the first comprehensive handbook on the emerging technology of flexible moulds for reinforced concrete architecture. Written by the foremost expert in the field, this book takes a comprehensive and generous approach that includes technical, historical and theoretical aspects of the subject. The book: concentrates on simple flat-sheet formworks contains detailed technical descriptions of how to construct a wide range of formworks for various applications features case studies from around the world critiques the difficulties and advantages in each case it covers provides instruction and guidance on how to model and design fabric-formed structures includes the most comprehensive history of fabric formwork yet published features essays from guest expert authors, which explore the theoretical, historical, and poetic significance of flexibly formed architecture and structures discusses fabric formwork as an exemplary approach to sustainable construction through its simplicity and efficiency. Beautifully designed and illustrated with a superb range of images, diagrams and technical drawings, the book both informs and inspires. Speaking directly and plainly to professionals, students and academics, the language used is both clear and precise, and care is taken to avoid opaque technical or academic jargon. Technical terms, when used, are clearly described and a special glossary is included to make the book as widely accessible as possible.

Ten years on from its first publication, this special edition features the eleven short stories originally published plus an introduction by the author and a bonus short story. With stories ranging from the dark delights of "Infantophobia" and "Speckles", to the bleak narrative of "Empty Souls, Drowning" and "The City In The Rain", by way of the gruesome "Having A Bad Day", this is a welcome revisit to a volume out-of-print since 2004. Table of Contents Infantophobia Having A Bad Day Empty Souls, Drowning Dead Skin Speckles Up For Anything Together Forever The Darkest Hour The City In The Rain Dreaming Of A Black Christmas Beach plus - A Quiet Weekend Away Story Notes Publishing History

From the publisher who brought you Alt-Dead & Fogbound From 5, Hersham Horror Books is proud to bring you 21 Alternative Zombie stories. Featuring original short stories from David Williamson, Alison Littlewood, Joe McKinney Mark West, Jan Edwards, Stuart Young, Richard Farren Barber, Katherine Tomlinson, R.J. Gaulding, Stuart Hughes, Rachelle Bronson, Adrian Chamberlin William Meikle, Shaun Hamilton, Stephen Bacon Dave Jeffery, Gary McMahon, Shaun Jeffrey Jay Eales, Selina Lock, Zach Black Plus a bonus story only available in the print version of Alt-Zombie Hersham Horror Books, we don't do reprints only newly written works of horror fiction. This book may also be used as a weapon in the event of a zombie apocalypse

Hersham Horror Books Present 5 original stories from the minds of: Alison Littlewood Neil Williams Mark West Adrian Chamberlin Peter Mark May Fog can hide anything: from ghostly encounters, to shape-shifting monsters; from buried childhood memories, to creatures born from the mist-shrouded air around you, to atrocities that have no ending, on a train ride into terror.....